Stuffed and Mounted
A Weird Obsession with Taxidermy
Imagine walking into a Victorian living room. There, perched elegantly on a shelf, is a squirrel dressed in a tiny waistcoat, holding a miniature violin. Welcome to the weird and wonderful world of Victorian taxidermy—a time when stuffing dead animals wasn’t just a skill, it was an art form and a way to add some peculiar charm to the home.
Victorians were fascinated with the natural world, but they didn’t stop at collecting shells or pressing flowers. Nope, they took it up several notches—into the realm of taxidermy, where animals were preserved, posed, and sometimes dressed to impress. Taxidermy became a beloved pastime, and everything from birds to cats to hedgehogs found their way into elaborate displays that bordered on the whimsical to the outright bizarre.
The oddest examples were often arranged into anthropomorphic scenes, which basically meant giving animals human traits—like a hedgehog family sitting down for tea or frogs fencing with tiny swords. It was a way for Victorians to show off their creativity, their love for nature, and, well, their quirky sense of humor. They even had "taxidermy teas" where they’d gather around and admire each other's latest creations, celebrating stuffed foxes in wedding attire like they were newlyweds.
Why the obsession, though? Part of it was an attempt to bring the natural world indoors during a time of rapid industrialization. Victorians found themselves yearning for nature, and what better way than to surround themselves with animals that never moved or made a mess? It was also a sign of prestige—owning a grand taxidermy collection meant you were cultured, sophisticated, and had a flair for the unusual.
The obsession didn’t stop with home decor either. Entire exhibitions were dedicated to taxidermy, with some truly weird displays. Walter Potter, a famous Victorian taxidermist, created entire dioramas featuring kittens playing croquet or squirrels having a courtroom trial. People lined up to see these stuffed spectacles, drawn in by the sheer whimsy (and oddity) of it all.